Another possibility is to run the signal from the mixer through a guitar pedal or preamp that has a buffered bypass. Will the line-level signal coming out of my mixer be too high or otherwise inappropriate for the amp. Most aftermarket radios have multiple pairs of RCA outputs that can connect to multiple amplifiers. From the compact Spider ® V 20 MkII practice amp to the full-featured gig monster that is the Spider V 240 MkII combo to the Spider V 240HC MkII head with built-in stereo speakers for standalone use—there’s a Spider model to inspire every type of player and at all skill levels. You may login with either your assigned username or your e-mail address. Mastering Essentials Part 3 - How loud should I master? Guitar amps are designed to accept a high-impedance input, and plugging in a low-impedance, line-level signal will result in an increase in amp … The contents of this article are subject to worldwide copyright protection and reproduction in whole or part, whether mechanical or electronic, is expressly forbidden without the prior written consent of the Publishers. Editor In Chief Paul White replies: This is a common technique and shouldn't present you with too many problems, provided that you watch your levels. But you still get whatever noise is introduced by the phono preamp inside the big amplifier. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. The standard line out from the desk is likely to be rather high for a guitar amp input, so either use an attenuator to lower the signal level or keep the aux send master level control low and be very careful when you turn it up. Extending Eurorack power to a second rack. Obviously, a pedal with a hard-wired or 'true' bypass circuit won't be any use for this task. All contents copyright © SOS Publications Group and/or its licensors, 1985-2020. Similar devices are also available from the likes of Little Labs (www.littlelabs.com) and Millennia Media (www.mil-media.com). Sensible monitor upgrade from Mackie Hr824?? Adjust the line level feeding the amp until the sound is right and you're pretty much ready to go. This will be more of problem if you like to turn your amp up loud. Re: Sensible monitor upgrade from Mackie Hr824?? A line audio amplifier is a circuit which is good to have around to adjust a the line or raise the level. The other issue that you need to be aware of is impedance. Or you can buy essentially the same device ready made (as a "line level to RIAA phono attenuator") from MCM Electronics. Engdahl's circuit is completely outside the amplifier and does not require modifying it. Of the four main types of audio signals, mic level is the weakest and requires a pre-amplifier to bring it up to line level. Preamplifier Vs. Power Amplifier. You may initially think that this solution would be unsatisfactory, but the latest generation of amp-modelling preamps and plug-ins, if carefully set up, can get pretty close to the sound of a real cab miked up. In addition with some of these amplifiers can be built a mixer line. Line level inputs, also known as RCA inputs or low-level inputs, use RCA interconnect cables to link the amplifier with the source unit. The views expressed are those of the contributors and not necessarily those of the publishers. There are a number of possible solutions. Several different types of devices are used to boost microphone levels to line-level signals. Guitar amps sound different depending on how much level you feed in, so a good test is to directly compare the level you're getting from a guitar plugged directly into the amp and the level you're getting from your line feed. The other issue that you need to be aware of is impedance. Simply connect the line level output on the source device to the input side of the LGB-1 using a stereo 3.5mm or RCA-type patch cable. It should be noted here, that when you plug your 10k guitar into a 10k line level input instead of a 1M Hi-Z input, you are causing the signal to be 'loaded down'. (dBu and dBV are decibel measurements relative to voltage.) The basic difference is this: a preamp boosts a weaker signal to line level, while an amplifier boosts a line level signal so that it can be sent to speakers. Guitar amps are designed to accept a high-impedance input, and plugging in a low-impedance, line-level signal will result in an increase in amp hiss. Microphone levelis usually specified between -60 and -40 dBu. The way the line level signal works is similar to a Hi-Z signal, where a 10k ohm signal is outputted from an electric guitar to drive a 1M ohm (1,000,000 ohm) input on the guitar amp of effect pedal. The Little Labs Multi Z PIP adjusts level and impedance and is a handy tool for re-amping. Similarly connect the output side of the LGB-1 to your amplifier, receiver, or whole-house audio controller. This kind of device is also handy if you want to use guitar effects pedals on line-level signals (as a send effect from your mixer, for example), though some pedals are more picky about impedance than others. Passing the signal through the bypassed pedal will correct the signal's impedance. The first is to buy a ready-made device to correct the signal's impedance, such as the Reamp (www.reamp.com), a small box which provides a balanced, line-level (+4dB) input, a high-impedance output and a level-trim knob. They're also very convenient if you're working in a small space with poor acoustics or unsympathetic neighbours! Adjust the line level feeding the amp until the sound is right and you're pretty much ready to go. Amplifier input can resist to high voltages. Increase the level by adjusting the recessed Left and Right knobs from 0 … I have one final suggestion, which is that you could consider buying an amp modeller device with a line input, such as the Line 6 Pod XP Pro or Behringer V Amp, or even perhaps an amp-modelling plug-in. If I record the DI'd signal from a guitar so I can put it through a guitar amp later, what are the concerns, if any? All rights reserved. Web site designed & maintained by PB Associates & SOS. Pornofonic RootBass/Bundle 60% off thru November. This may be necessary during a recording or in a broadcasting system.

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