After graduation in 1988 he moved to Brooklyn, New York, where he set up home. We rely primarily on venues, festivals and musicians to promote their events through our platform. Born in Des Moines, Iowa, in October of 1966, Stewart had limited access to a local jazz scene in his formative years. To some extent it’s a useful distinction, awarding credit where it’s due. News Percussionist Bill Stewart made his name as the rhythmic force behind guitarist John Scofield 's band, working with him for five years between 1990 and 1995. Or track down a bootleg called John Scofield Quartet Plays Live, and listen to the expressive drumming on a track titled “Stranger to the Light.” The press rolls and chattering hi-hat are vintage Stewart, and so is the temperament of his solo, which manages to feel both logical and startling. “When things seem to need, um, shaking up.” He allows himself a laugh, self-conscious and quick. “When he hears me laying down a certain texture, he’ll avoid it to create something on another plane, to fill it up in a way that he sees fit. In December 2006 he recorded Incandescence with the same trio. He’s really come out of his shell. New music from Adam Kolker plus a selection of recent... Tigran Hamasyan: Music and Arts Have a Purpose to Elevate People Spiritually, Marc Urselli: Between Bolan and Willner, tradition and innovation, Dave Stryker: The Positive Force Of Blue Soul, Ryan Porter: Coming to you Live from Paris. Stewart had already made one solo album for a Japanese label-Think Before You Think, with a group that notably included Lovano and bassist Dave Holland-but the follow-up was his breakthrough.
(He also had the chance to back James Brown on a 1991 HBO special, shortly after the Godfather’s release from prison.). While still in college he made his recording debut with saxophonist Scott Kreitzer and recorded two further collections with pianist Armen Donelian. His thing is about making everyone comfortable, making it feel good. Stewart has great touch, or dynamic precision, so that his ideas are articulated with an exactness and clarity.

Membership has its privileges. Set a tempo on a song, he’s got this feeling of it that’s very unique. His sessionography attests to careful choices, including gigs with Copland (the pianist) and Pat Martino (the guitarist). But even on the heels of Incandescence (Pirouet), his second album of new compositions for a distinctive trio with Goldings and Hays, Stewart occupies his stature partly because of a true-blue commitment to his craft. That seems to be one of his first things, not playing a bunch of bad shit, although he does that too. The set with Bernstein and Weiss, drawing heavily from the Monk canon, will go on to illustrate the depths of a proven rapport. He also connected with musicians in his peer group, both in school and beyond. Their weekly gig uptown at Augie’s (now Smoke) became a hang. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. It’s the fate of any drummer with a style as pithy as his-just ask Roy Haynes, or even Tain Watts. At that time one of the anchors of the Blue Note roster, Scofield had produced Landmarks, a 1990 release by Lovano that marked another of Stewart’s first record dates. Find articles, news, musician pages, and more! Stewart grew up in Des Moines, Iowa, listening to his parents' jazz and rhythm and blues records without much exposure to live jazz in the then relatively isolated state of Iowa. My mother was a choir director, and my grandmother taught piano lessons. He is the author of Playing Changes: Jazz for the New Century (2018) and the co-author of George Wein’s autobiography Myself Among Others: A Life in Music (2003).

Even if you’ve never set foot in Smalls, you might understand why Stewart is the linchpin of this particular moment. At this moment their sound check is faintly audible from backstage-the tune is “Brilliant Corners,” by Thelonious Monk-while Stewart is talking about his role in the band. Pianist and singer Billy Stewart was a distinctive and influential R&B vocalist whose stuttering delivery and word-repetition technique borrowed liberally from the jazz practice of scat singing. Learn more. Membership has its privileges. As a drummer, Bill Stewart's playing is distinguished by its melodic focus, and its polyrhythmic, or layered character. At one of their regular sessions at Augie's Club in Manhattan, Maceo Parker attended and invited him to contribute to a forthcoming recording date (for Roots Revisited ). Membership has its privileges. He’s thrilling to be on the bandstand with. According to Stewart, "The K Custom Special Dry Complex Ride has some trashy quality, but can also be articulate. In a cohesive way.”. Our weekly newsletter highlights our top stories and includes your local jazz events calendar. “I’m always thinking of ways to orchestrate what’s going on with the music,” he says, “and trying to find ways to make it sound different each time, while still serving the music as a whole.”. Don’t mistake reticence for passivity, though, certainly not on the bandstand. Among his drum teachers there were Horacee Arnold and Eliot Zigmund; his other instructors included bassist Rufus Reid, pianist Harold Mabern and, auspiciously, tenor saxophonist Joe Lovano. ), Whatever Stewart’s next move as a bandleader and composer-he professes no immediate plans-there’s sure to be more refinement ahead.

I like situations where it pays off when you can do that.”, 22-inch K Custom Dry Complex Ride 2 (1 rivet), 24-inch K Custom Dry Complex Ride 2 (1 rivet) or 22-inch K Constantinople Prototype (2 rivets), Ludwig 14×6 1/2-inch Hammered Brass Snare Drum, Zildjian Bill Stewart Artist Series Signature Drumsticks Both musicians have known Stewart since he first hit the scene in the mid-1980s, and they manage to work with him, in one setting or another, with a fair degree of regularity.

The ensemble is a twist on the usual organ-guitar-drum trio, where a second keyboard (variously piano, Fender Rhodes, and other keyboard instruments) is added to the organ-drum foundation. Some of it would be cool and some would be a miserable failure.”, Bernstein: “He’s a musician who plays the drums. It was here that he met future collaborator, saxophonist Joe Lovano. Percussionist Bill Stewart made his name as the rhythmic force behind guitarist John Scofield 's band, working with him for five years between 1990 and 1995. Born…. The second, Snide Remarks, featured pianist Bill Carrothers, trumpeter Eddie Henderson and bassist Larry Grenadier.

He hears everything that’s going on.”, Weiss: “And just his grasp of tempo. His drumming bears the influence of various melodic drummers who preceded him, including Max Roach, Art Blakey, Joe Morello, Roy Haynes, Jack DeJohnette, Paul Motian, and Al Foster. Stewart's improvisations favor the development and layering of motivic ideas over the raw generation of excitement or display of technical prowess.

Pianist and singer Billy Stewart was a distinctive and influential R&B vocalist whose stuttering delivery and word-repetition technique borrowed liberally from the jazz practice of scat singing.
Obviously both albums make a case for Stewart as a musician, and not (just) a drummer. George Colligan, Vicente Archer, Bill Stewart, George Colligan Trio: George Colligan, Vicente Archer, Bill Stewart, George Colligan Trio - Past-Present-Future ‎ (CD, Album) Criss Cross Jazz: Criss 1262 CD: Netherlands: 2005: Sell This Version The Unofficial Website Everything you wanted to know about the playing and music of Bill Stewart, one of the most interesting and exciting jazz musicians around. The Kevin Hays trio has recorded five CDs and toured internationally. You just get used to that: you play with Bill for a week and then you go play with someone else, and it’s like, ‘Wow, that was really something special. Regarding ‘Swallow Tales’, John Scofield said he started playing the material with Steve Swallow in hotel rooms many, many years ago when they were out with Gary Burton. It was an accomplished, resourceful and subtly ambitious record; in the New York Times, critic Peter Watrous named it one of the Top 10 albums of the year. Learn more.

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