Which I find oddly improves the tone somewhat on higher gain channels, even though I hate scooped sounds. Let’s say you have too much bass, would you first back off the Bass knob or the Resonance? I loved your post. What accentuation is occurring with the mid knob with tone shift enabled. I got this on a nice in-store deal over the Memorial Day holiday weekend. TBH I can get an ok clean tone, which I’m then using as a pedal platform, but I cannot get a high gain distortion tone I like with any of the higher gain channels (Clean Crunch, OD1, or OD2) OD2 provides plenty of saturation but no clarity or articulation, and the other channels a bit too mid-rangy and not enough bite. Awesome. I don't use it for its intended purpose, which I hear is heavier, mid-scooped modern rock/metal, but instead as a pseudo Loudness switch when I'm playing low volume late at night to accentuate the lows and highs. I’ve operated under the assumption the channel volume would be driving the preamp and master would be power amp. Anyways would love some feedback... 1. Im sure cranking it i would hear some difference though. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. My wife and kids went out to run errands today and I got to spend a couple of hours with the amp cranked in 40W mode. They sounded pretty dam close to the 40c at store levels I wouldnt have guessed it they changed i! I bought a Marshall DSL40CR about a month ago, was looking for some advice on dialing it in and some answers to how each knob/switch impacts tone. The DSL40cr is one of the best amps I've ever bought. Presence and Resonance. Are you guys using anything like a Timmy or a Tubescreamer for a solo boost, or just riding your guitar volume? That's for my basic clean tone. Plus, I have changed the speaker to a G12 Century Vintage and run the V-Type in a 112 cab under the DSL. I hope this review of the Marshall DSL40CR guitar amplifier has been helpful. Took it to a jam yesterday and it sounded awesome. ), For those that have the amp, what settings do you use for the various EQ’s and switches. You must log in or register to reply here. If you haven’t tried a Marshall DSL40CR give it a shot but remember – TURN IT UP! Trying to determine where best to set these. For a better experience, please enable JavaScript in your browser before proceeding. JavaScript is disabled. A resonance control along with studio quality reverb and a real panel Pentode/Triode give you plenty of options for shaping your tone, as well as a Rear Panel FX loop. I'll be trading the original DSL40C for it, and I most definitely can hear the difference. But, technicalities aside, if you land on 10-6-0-4 and it's exactly the sound that you want, then that's all that matters. The manual states selecting this reconfigures the preamp EQ to add new tone shaping. I've been playing it in store every chance I've had in the past three months. Even non-musicians recognize the white script logo against a black background and associate it with loud, powerful guitar sounds. I love mine as well! I had mine for 3 years the creamback works great for it. With rich functionality including the ability to move between two sounds within each gain channel, players can experiment and release their personality through sound. Not saying I’m not still buying higher ends heads and whatnot, because I am, but if I were left with the 40CR for the rest of my life I’d be just fine would likely focus on playing more anyways. Most people biased them too hot and then complained about the red channel lol. The CR has MUCH more girth to its tone and no fizzy high end, and sounds much better at low volume too, something the OP required and I do too. so i wasnt bummed at all and I hear some say there not alot difference to sell the 40 for it. Works beautifully in this capacity! OD1 with channel and master volumes dimed, and gain at around 12 to 1 o'clock. The Tone Shift Button and When To Use it. I know the back cover can alter the tone some. What’s the difference between the new and old model? Discussion in 'Marshall Amps' started by Whizzinby, Jun 17, 2020. Marshall DSL40C is a great amp for musicians who don’t stick to one music style and love experimenting a lot with a sound. To me, clean and crunch modes sound exactly the same as the 40C when used with the same 412 cab.....combo users will hear a significant difference with the V type speaker though. Can get as close as I need to all my favorite classic Marshall tones (JTM45 through modded JCM800), Sounds glorious fully cranked at 40 watts, Sounds equally good fully cranked at 20 watts (power scaled voltage, not goofy pentode/triode stuff), Big full sound at (for me) normal house volumes (i.e., very loud stereo volumes), Big full sound with zero fizz at toddler/infant/wife sleeping volumes. The DSL provides the legendary Marshall tone, allowing you to express your distinct playing style and attitude. The amplifier provides 2 channels, 3-band EQ and additional features, all contributing to its amazing versatility. The DSL40 also has a tone shift control that changes the midrange response, an effects loop, and a half-power switch to maximize flexibility. Tone shift button. If there’s any amplifier company that’s an iconic part of rock and blues history, it’s Marshall. But, generally speaking how are these used? For anyone into any form of rock music- this $750 amp is really all anyone needs. Also they note for Mids, controls are accentuated with tone shift enabled. A keeper for sure! The DSL provides the legendary Marshall tone, allowing you to express your distinct playing style and attitude. Tubes/Speaker To my ears enabling tone shift slightly scoops and compressed the overall sound. The Marshall DSL40CR is the latest in a long line of DSL (Dual Super Lead) amps, which began back in the 1990s with the JCM2000 series. I should point out this is with a pedal which is always on. In 2012, Marshall introduced the DSL40C, the DSL40CR is essentially an updated version of this with a few extra improvements and enhancements. I haven't had a proper NAD in quite a while since I've been monogamous with my main amp for over a decade, so I'm going to take this opportunity to indulge in a NAD post. These are bedroom volume settings.

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