Best Moment: When the heavily filtered "Mama-say" hook first pops up in the pre-chorus, getting gradually cleaner and cleaner until it finally explodes undisguised in the first chorus. Plus, how great is "P.S. response to Ri's initial "I wanna know, boy, if I can be your shorty?" It also made her the third act ever to the achieve seven number ones in seven consecutive years – Elvis Presley and The Beatles are the only other acts to achieve this. In the David Meyers-directed visual of the lead single and title track of her new album, Ariana Grande is President. One of the craziest beats Rihanna or anyone else has worked with this decade, an irrepressible Bangladesh production built around a truly ingenious sample of Billy Stewart's '60s rendition of the old musical standard "Summertime." "Somebody's gonna miss you / Somebody's gonna wish that you were here / That somebody's me." The swingiest, most delectable of Rihanna's early reggae songs, with a horn-and-synth hook that makes the song as irresistible as the relationship described in the song. Hilarious title aside, there's not much to recommend this somewhat preposterous ballad off Rihanna's first album ("There's a thug in my life / How'm I gonna tell my Mama??"). RiRi has been linked to a lot of famous men, and, one thing is for sure, this woman does … Maybe "Breakin' Dishes" was just a year or two ahead of schedule for Rihanna, as we were still perhaps too used to the sweet girl of "S.O.S." How can it be when she's surrounded almost exclusively by women and BIPOC? She sounds like the only girl in the world, at least. "We found love in a hopeless place" is an oddly stated sentiment to be anything resembling a catchphrase, but delivered by a performer as assured as Rihanna, just about any lyric has a chance to become iconic. Best Moment: When the ending of Drake's second verse ("Somebody shoulda told you something to save you / Instead they said...") erupts in a cacophany of Gil-Scott's voice from the original, scat-singing "Don't / tell me / I don't care / if you hurt..." It's a mind-bender, for sure. Helped immensely by an inspired lift from the bridge to Avril Lavigne's "I'm With You"—and an always-appropriate "freakin' weekend" borrowing from R. Kelly's "Ignition (Remix)"—Rihanna made one of the second-best drinking song of 2011 with "Cheers (Drink to That)." Rihanna is one of the most successful musicians of all time. Well, maybe "countless" isn't the right word, because in fact, we've counted them all, and we've come up with a ranked list of the 125 commercially released songs that Rihanna has appeared on over the course of her seven-year career in music. "Saw me on a television / Hanging out my dirty linen / You're entitled to your own opinion / Sit and shake your head at my decision," sings Ri, knowing that we're all in fact doing just that, but pleading with us to realize that we only ever "saw the half of it." Such is certainly the case with "Take Care," a beautiful, tense, slippery love song about trust and loneliness and commitment, with a dance beat that never quite takes off, that made for sort of an unlikely smash hit off Drake's album of the same name, but one ultimately too compelling to deny. Totally insane, and totally awesome. when hearing her man's protestations during the verses. (As with our Taylor Swift list, in the case of a song recorded in multiple versions, we just took the one we liked best, unless they were specifically listed as multi-part songs). Included in the total were prominent collaborations with hip-hop artists T.I. Featuring Blue Ivy: Beyoncé's daughter plays a starring role... Mass brawl erupts in Burger King as 'hammer-wielding' yobs fight, Coronavirus restrictions: Government 'not ruling anything out', Jewish men get shoved by BLM after trying to show solidarity, Spain's rising coronavirus cases described as 'bad numbers', Nice terror attack: Police storm Catholic church and fire gunshots, Nice terror attack: Moment French police swoop on Catholic church, Shocking moment two young children are locked up in a metal cage, Scene where hero father pulled family who swept out to sea to safety, Kate Middleton talks about William cooking her Bolognese, Muslims peacefully protest Macron outside London French Embassy, Police shut down shisha lounge in Birmingham for breaching Covid rules, China: Adorable golden tiger quadruplets seen at zoo. ESPN nearly ruined the song with overuse on endless montages and commercials, but today the song endures as one of Ri's slitheriest (no Velvet Revolver). The beginning of Rihanna's dark period? "Got a house but I need new furniture / Why spend mine when I can spend yours?" MissGuided Acker Chicago Print Longline Sweater, Delighted with her achievement, the star tweeted:  ‘Wow!! One of Rihanna's best ballads, an intimate, personal-sounding romantic plea that sounds like it could have been a lost cut from Adele's 21. Omissions? Expectations for the song may have been a little too high, as the song never really crossed over to either artist's primary market, but it was still an exceedingly enjoyable listen—hamstrung by some cheesy and borderline non-sensical lyrics ("I could have been a princess / You'd be the king"), but tied together with an absolutely incredible arpeggiated (or just chopped-up, hard to tell) synth riff and a Tomahawk Chop-worthy wordless sing-along chant that made a highly worthy addition to both artists' catalogues. Fenty’s first collection was released later that year. The compelling title track ballad of Ri's second album seems like the singer pushing back against that perception, protesting that she's not just one of the masses, and that "when the whole world's turning left, that's when I'm going right." https://www.britannica.com/biography/Rihanna, Rihanna - Student Encyclopedia (Ages 11 and up). Why did these two never work together again? Hearing that she had prominently sampled the XX, "Drunk" was one of the songs we anticipated the most off Talk That Talk. Tip to Rihanna and all other concerned: If your song is anything but a goony, robo-friendly club anthem, chances are fairly strong will's presence will do little but bring it down. You know, Rihanna, not a lot of people actually say stuff like that. Few others among the many pop stars who have dabbled in dubstep have come up with an end product that sounds anywhere near this natural—or anywhere near this good. How much you like the song depends on how much you go in for M5's sound—and we generally think it's pretty OK—but it's probably for the best that Rihanna never worked with the group again. Still, helped out by a strong Rihanna chorus and an instantly iconic video, "Love the Way You Lie" is inarguable as an amour fou standard, and its flaws are just part of its own mythology at this point. Worthwhile questions. When we first heard it, it left us craving more—and turns out, 78 seconds was really all Rihanna and producer The-Dream needed to get their point—which might not be much more eloquent than "CAKE CAKE CAKE CAKE CAKE CAKE CAKE," but still—across, and then some. Before Rihanna hit paydirt collaborating with a different EDM mega-producer, she had found modest success as a guest siren on David Guetta's "Who's That Chick?"

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