The finest examples of skillfully fulfilled mirror work can be seen in the religious buildings of Mashhad, Shiraz, Qum, and Rey. Traditional Persian architecture has maintained a continuity that, although temporarily distracted by internal political conflicts or foreign invasion, nonetheless has achieved an unmistakable style. Yazd, the town of graceful high rising Badgirs (wind towers), is one of the oldest Kavir towns of Iran. Commento document.getElementById("comment").setAttribute( "id", "ae924abf5b13ad2a807c8a1c64e692dd" );document.getElementById("j1b917aa69").setAttribute( "id", "comment" ); Avvertimi via email in caso di risposte al mio commento. In his description of the Iranian artists’ brick work, Sir Edwin Lutyer said: One should never talk of Iranian brick work, but mainly of the magic of Iranian brick work. The columned porch, or talar, seen in the rock-cut tombs near Persepolis, reappear in Sassanid temples, and in late Islamic times it was used as the portico of a palace or mosque, and adapted even to the architecture of roadside tea-houses. The power and nobility of Mongol stucco carving is probably best exemplified by the mihrab of Masjid-i-Jameh Isfahan built in 1310 AD. In expressiveness and communicativity, most Persian buildings are lucid, even eloquent. Benvenuto, Welcome, Bienvenue, Willkommen, Bienvenida, 欢迎, добро пожаловать. The supremacy of architecture applies to both pre- and post-Islamic periods.[6]. Mirror work is another decorative element of Iranian structures during Islamic period. [17] The thin, double-shelled dome was reinforced by arches between the layers.[18]. The Iranian Muslim artists have decorated the interior and exterior surfaces of religious buildings, domes, belfries, and mosque minarets with the most beautiful tiles in terms of color and design. In the words of Arthur U. Pope, who carried out extensive studies in ancient Persian and Islamic buildings: The meaningful impact of Persian architecture is versatile. Persian buildings vary from peasant huts to tea houses, and garden pavilions to "some of the most majestic structures the world has ever seen". These buildings, apart from being strong in structure, brought about the best and most bearable conditions of living in extremely dry and hot weather of Kavir. The Flower of the East Development Project is another grand project on Kish Island in the Persian Gulf. The endless variety of architectural monuments in Iran shows that Iranian architects enjoyed highly valuable creativities and experiences in various fields. Cinzia Malaguti, Fai clic qui per condividere su Twitter (Si apre in una nuova finestra), Fai clic per condividere su Facebook (Si apre in una nuova finestra). The abundance of heavy plastic earth, in conjunction with a tenacious lime mortar, also facilitated the development and use of brick.[9]. La Gioconda di Leonardo, un racconto affascinante, Area di riequilibrio ecologico La Rizza a Bentivoglio, Buona vita! Heavy clays, readily available at various places throughout the plateau, have encouraged the development of the most primitive of all building techniques, molded mud, compressed as solidly as possible, and allowed to dry. It can be changed into a temporary dam by blocking its spans. The Achaemenids built on a grand scale. Iranian architecture has manifested its own particular characteristics and originality throughout its prolonged history. Isfahan è una città dell’Iran centrale, sorge sulle sponde del fiume Zayandè, su un altopiano a 1600 metri di altitudine. Through the ages these elements have recurred in completely different types of buildings, constructed for various programs and under the patronage of a long succession of rulers. Mihrabs of Masjid-i-Jameh Qazvin (1116 A.D.) and Masjid-i-Jameh Ardistan (1160 A.D.) are extremely valuable examples of stucco carving art. Tehranimages. This very distinct style of architecture was inherited from the Seljuq dynasty, who for centuries had used it in their mosque building, but it was perfected during the Safavids when they invented the haft- rangi, or seven colour style of tile burning, a process that enabled them to apply more colours to each tile, creating richer patterns, sweeter to the eye. Historic monuments of the latter town are so numerous that nowaday it is compared to huge museum of art works. È la capitale della provincia di Esfahan con 4.600.000 abitanti e con una superficie di 107.027 km². Stucco is another decorative art of Iranian architecture. Iran Senate House Traditional Persian mythology such as the chains of justice of Nowshiravan and essences of Iranian architecture have been incorporated by Heydar Ghiai to create a new modern Iranian architecture. Lasciata la bellissima piazza dell’Imam, ci dirigiamo verso il ponte dei trentatré archi (Si-o-se Pol), davvero unico nella sua architettura; fu commissionato nel 1602 da, indovinate un po’, sempre lui, lo scià Abbas I, è lungo 300 metri ed è formato da una doppia fila di arcate posta su due piani; i suoi pilastri ricordano quelli degli acquedotti romani, ma qui c’è qualcosa di unico e straordinario: la forma a bulbo delle arcate, la doppia fila, i due piani. The Soviet archaeologists discovered remnants of one of the oldest irrigation canals of the world near the town of Van Turkey) which was constructed by the Urartu people in the late 9th century A.D. A cuneiform inscription unearthed from the rubble walls of the canal describes how it was built. Quando Abbas I trasferì la capitale della Persia a Isfahan, l’abbellì con grandiose moschee, sontuosi palazzi, enormi giardini, numerose terme (hammam). The ruins of Persepolis, Ctesiphon, Sialk, Pasargadae, Firouzabad, and Arg-é Bam give us a distant glimpse of what contributions Persians made to the art of building. The inscription also mentions that the supervisor of the construction as Muhibb 'Ali Beg Lala who was also a major donor to the mosque. [28] Chronologically the Azeri style is the fifth of the six historic styles of Iranian architecture, between the Razi style (from the 11th century to the Mongol invasion period) and the later Isfahani style. ]The bazaars, known as Eastern Bazaars, apart from being centers of commercial and civic activity were mostly surrounded by public facilities such as the mosques, baths, and caravanserais to meet the requirements of travelers, merchants, and nearly inhabitants. Numerous bridges and dams had been built during the Achaemenid and Sasanian period in Provinces of Fars and Khuzistan, as well as Mesopotamia. [20] The colours that the Persians favoured were gold, white and turquoise patterns on a dark-blue background. Minarets built along Persian Gulf coastline and main ports, served as light houses. Unique architecture and first clan brick and mortar used in the construction of minarets have resulted in their surviving after 9 centuries in the earthquake prone land of Iran. Archaeological excavations have provided extensive evidence supporting the impact of Sassanid architecture on the architecture of the Islamic world at large. The great maydan (square) at Isfahan called Naqsh-i-Jahan (world image) contains a galaxy of excellent architectural works of Iran. Various structures such as mosques, mausoleums, bazaars, bridges, and different palaces have mainly survived from this period. The technique has been used in palaces and magnificent traditional houses as well, and follows architectural elements such as domes, minarets, and towers in terms of significance. No. Safavid Isfahan tried to achieve grandeur in scale (Isfahan's Naghsh-i Jahan Square is the sixth largest square worldwide), by constructing tall buildings with vast inner spaces. Due sono i luoghi che rappresentano gli splendori della città di Isfahan nel XVI e XVII secolo, ancora oggi testimoni: la piazza Naqsh-e jahan ed il ponte dei trentatré archi, il Si-o-se Pol. These changes later paved the way for Safavid architecture. It includes a hotel, indoor amusement park, and food court, among other amenities. Many pre-Islamic dams were repaired by Muslim engineers of Iran, and they applied their own innovation in the construction of newer dams and bridges. Landmarks of this style of architecture span from the late 13th century (Ilkhanate) to the appearance of the Safavid Dynasty in the 16th century CE. which was used for the decoration of mosque portals. Arts such as calligraphy, stucco work, mirror work and mosaics became closely tied with the architecture of mosques in Persia (Iran). Others, such as Heydar Ghiai and Houshang Seyhoun, have tried to create completely original works, independent of prior influences. The post-Islamic architecture of Iran in turn, draws ideas from its pre-Islamic predecessor, and has geometrical and repetitive forms, as well as surfaces that are richly decorated with glazed tiles, carved stucco, patterned brickwork, floral motifs, and calligraphy. The most striking are a marked feeling for scale and a discerning use of simple and massive forms. Reaching 53 meters in height, the dome of Masjed-e Shah (Shah Mosque) would become the tallest in the city when it was finished in 1629. It flows through the city of Isfahan dividing it into two north south pans. It contains various masterpieces of stuccos and murals. The Iranian architecture can be further traced in historical and famous bazaars of great towns of Iran. The project is led by architect Mohammad Yazdi Rad. The wooden columns of the palace are placed on stone plinths. La piazza Naqsh-e jahan, ribattezzata piazza Reale o dello Scià e, dopo la rivoluzione iraniana, diventata Piazza dell’Imam, è una grande, impressionante, strepitosa piazza rettangolare; non è spettacolare solo perché è grande, bensì per ciò che ci sta dentro ed intorno: gallerie porticate a due piani la circondano, giardini e vasche d’acqua la rendono armoniosa, meravigliosi edifici della più splendida architettura islamica la delimitano; a sud della piazza c’è la Moschea dello Scià (oggi dell’Imam), a est c’è la Moschea dello sceicco Lotfollah, a ovest c’è il Palazzo reale (Ali Qapu) e a nord c’è l’entrata del bazar di Qeisarieh. Here one could see the finest paintings of Safavid period. Their methods are used in the construction of the greatest dams of the world even today. Ah Qapu palace at Naqsh-e Jahan square, Isfahan is another architectural monument of Safavid period built in six stories. The sixth floor was used for Safavid kings’ official receptions. A ovest della piazza dell’Imam si trova il palazzo Reale (Ali Qapu) che venne eretto come residenza dello Scià di Persia, sempre lui, Abbas I. L’edificio è a pianta rettangolare, si sviluppa su sei piani (per circa 48 metri di altezza) e, nella sua parte frontale, ha una vasta terrazza coperta con soffitto intarsiato sostenuto da altissime colonne lignee.

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