Ye Season 2018 reached its halfway point with Kids See Ghosts, the long-awaited collaborative work between Kanye West and Kid Cudi.It's been a journey. “Fire” sees Kanye blasting rails and lashing out at haters before Cudi, the pair’s relaxed, introspective half, offers an earnest invocation: “Heaven lift me up.” The good-cop, bad-cop approach is aided by music that can turn from bliss to rage on a dime. In contrast, the restrained seven tracks on KIDS SEE GHOSTS clock in at under 25 minutes, giving Cudi little room to misstep and fueling the album’s immaculate feel. It is an oddly appropriate source for Kanye, a combination of ingenuity and bad taste that suits the man who sampled “Strange Fruit” so he could moan about child support. From the insane magic of "Feel the Love"’s rowdy "gahgah brrapdadadat" backing to Kurt Cobain’s clanging “Burn the Rain” guitar sample (from the Montage of Heck companion album) on “Cudi Montage” to the staggering beauty of the organ that comes in at the end of “Reborn”. Here he is, again, where he has always yearned to be: damned, on the brink of irredeemable, gazing directly into some abyss from which he could never climb out. Please Mental health, its effects on you, on those who love you: This is not a topic to be touched on lightly, and apart from scrawling his diagnosis on the cover of ye, there is a very real sense that he is simply bringing up these issues, not probing them. Amazing collaboration with Kudi, once again pushing the boundaries in music. He and Cudi pull equal weight on Kids See Ghosts, but the album’s brightest points--the beautiful madness they seek--come from the moments when Kanye plays the background and Cudi seizes the forefront. Universal acclaim ... A lot of the energy that "ye" seemed to be gasping for fills the lungs of this project, and it’s humbling to consider how much this material might have enlivened West’s own album. On KIDS SEE GHOSTS, Cudi is reborn. On the original, emo rapper 070 Shake belts out the line “And nothing hurts any more / I feel kind of free” in the manner of a vintage soul singer; there is jubilant release. Most people, after all, whatever their private struggles, don’t have the resources to stage their free falls into the arms of an entire industry built to placate them. Could This Be Kid Cudi’s Next Big Moment? be aware that our efforts are ongoing. The most powerful moments on Kids See Ghosts underline this freedom with a wistful bite, suggesting it comes with a lasting price. Historique. “Freeee (Ghost Town Pt. As he does on the original, he equates total numbness as freedom, and as a buzzing cello pecks at its tendons and the distorted drums smash into bone, you are left to contemplate the scary sort of freedom West prizes. “Fire” is a devilish drum-and-guitar stomp that sounds like Man on the Moon 2’s “REVOFEV” descending into a riot. Together, these two studio wzrds have managed to produce something that is equal parts raw, honest, touching, spooky and ethereal. “Cudi Montage” even relocates a precious, nearly vanished quantity of Kanye’s music—empathy. as screen readers and screen magnifiers, and with users with disabilities who use these technologies. For Kanye, the rewards are already here: Despite being the least finished-sounding recording of his career, last week’s ye marked some of his biggest first-week returns in years; at one point, its seven tracks doubled as the seven most popular songs on Spotify. Since 2013’s Yeezus, West has been testing the line between “daringly raw” and “unfinished,” but on Kids See Ghosts, he vigorously erases it. His opening verse has a firmer grasp on what infuriates people about his antics nowadays than YE, an album he claims to have written specifically to address the subject: “I was off the chain, I was often drained / I was off the meds, I was called insane / What an awesome thing, engulfed in shame / I want all the rain, I want all the pain / I want all the smoke, I want all the blame.” Cudi’s refrain of “Keep movin’ forward” acknowledges the choice you face after fucking things up for yourself. Kids See Ghosts can be considered one of the best collaborative efforts In Hip-Hop. There is a calmness to the debut album from Kids Sees Ghosts, the new collaboration between Kanye West and Cleveland, Ohio, rapper Kid Cudi. Overhyped, like everything else Kanye has done. 808s is on the short list of the most influential albums of the aughts; without the soft drums, atmospheric synths, and wounded vocals of songs like “Say You Will,” it’s possible that Drake would continue trailing the moves of indie rap vets Phonte and Nickelus F, as he did in his early mixtapes, instead of exploding into the pop-rap supernova he is today. Feels fresh honest and a brutal psychedelic experience that’s has slight problems but overall great work. KIDS SEE GHOSTS brings out the best in its chief collaborators. I feel freeee,” and Cudi chant, “I’m so reborn I’m moving forward,” on the equally-liberating “Reborn”. The seven-song affair leaves you greedy for more when it’s over in a mere 23 minutes. Kanye’s crowning achievement and his real genius on KIDS SEE GHOSTS is the way the project facilitates and creates a space for Cudi, his "favorite living artist," to be his best self - the truest example of brotherly love you’ll ever see. This is the sound of Kanye and Cudi catching up with themselves. It’s both embarrassing and gripping: never boring and often euphoric. The album closer “Cudi Montage” is a pledge from both artists to do the latter. What makes the album so great is the pristine, flawless quality its brevity facilitates. Working with a retained accessibility consultant, it is planning to implement over time the There’s a reason that “Reborn” is the album’s longest track; it’s an anthemic standout about healing and coming through dark times, the times where you're entirely without hope that end with stepping into the light and taking a deep motherfucking breath. G.O.O.D. For the most part in fact, the album’s production is curated with Cudi in mind, a sonic bag of treats for those who vibe to the gloomy, celestial exploration of his early material as well as the rap rock stylings he has demonstrated since. Unpacked individually, there’s a lot to love about each track and a laundry list of potential inspirations. So here we are, in week three of the big mess he is currently making. The songs are the most intriguing ones to emerge from this Wyoming project thus far. The record is the culmination of Cudi and Kanye’s tumultuous, decade-long professional relationship, which began in 2008 with Cudi signing to G.O.O.D Music, birthed extensive collaborations (including on West’s Autotune opus 808s & Heartbreak), survived all out rap Twitter beefing, and finally resulted in the long awaited first full-length project between the duo. Kids See Ghosts overall is a good album, and leaves the listener with a much better impression than last week’s Ye and 2016’s Passion, Pain & Demon Slayin’, though it can be a frustrating listen. With him as co-pilot, Kids See Ghosts is a shotgun blast to the senses, swarming with blistering electronics, laser-cut samples, psychedelic crescendos and edges as blurry as a … Sitting at a painfully short seven songs, the project is every bit as good as it should be; this is genuinely the reintroduction to both artists the world deserves. Cudi’s lines about wanting to crack under pressure end on a promising note — “in time, I find I’m stronger that I ever was” — and the old woke Kanye returns (slightly) in a verse about how goodness is a cakewalk until good fortune fails you. It is an eerie arena in which to watch an Event Album unfold, one where the silences resound as deafeningly as the screams, where the props are missing or moved into place a beat too late. A seven-track album (it’s Kanye’s current obsession; both ‘ye’ and ‘Daytona’ ran to the same length) can hardly help but feel slight, though the brevity actually suits this collaborative record. The former artist will take the lion’s share of the headlines around the project, given that it’s the third release he’s been deeply involved with this month – there was, of course, Kanye’s solo record, ‘ye’, and the Pusha T album ‘Daytona’, which he produced – but, actually, this is Cudi’s album through and through. He just turned 41, and Kanye West still craves nothing more than to make a big mess, plunge into it headfirst, and take us with him. Flail hard enough and long enough, though, and you will hit some targets. - I can still feel the love Our website will be tested on a periodic basis with assistive technology such “Feel The Love”, for instance, could do without the macho bravado and self-aggrandizing. ALL RIGHTS RESERVED. There’s nothing inherently wrong with Japanese Week as a concept, but this episode illustrates all the ways it can go bad. This impulse unites him with his dragon-energy brother in the White House, who similarly revels in just saying it out loud to see how it feels. Kids See Ghosts (Kanye West and Kid Cudi) – ‘Kids See Ghosts’ review This new collaboration sees Kanye West and Kid Cudi catch up with the fragmented, fragile brand of hip-hop that they helped … Whereas the beats on ye sounded rushed and underdeveloped, the beats on KSG have some meat on ’em, crafting a sonic mood board that evokes thoughts of psilocybin mushroom trips, spiritual healing and yes, ghosts. For more of our album reviews, head here. Kids See Ghosts can be considered one of the best collaborative efforts In Hip-Hop. “Reborn” could be the closest thing we get to an apologetic Kanye West this cycle. Kids See Ghosts can be considered one of the best collaborative efforts In Hip-Hop. The message is clear: it’s okay to not feel okay. Cudi is, without qualification, the spiritual and artistic backbone of Kids See Ghosts, the source of its truest artistic risks and the instrument of its greatest triumphs. A mess really. “Reborn” is the most unhurried and atmospheric music of this chaotic cycle, a long spacious breath of a drum track that opens onto one of West’s best verses in years.

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