It’s easy to tell white people not to paint their faces black and do minstrel humor or not to paint them red to become the racist caricature from their favorite sports team’s mascots. “But Sanneh doesn’t bring other white artists into the discussion, and it’s reasonable to wonder why. I don’t need to go into it in detail, but it’s even worse, in some ways (because – although different styles of drumming in Africa are similar, most people are learning West African styles – specifically Ghanaian, Senegalese, or Gambian)***. What the world needs is brave, clear-eyed conversation about the massive systems of food growth, production, and consumption in America. I’m trying to pull back the curtain on the media coverage of these stories for a reason: There are multiple levels of journalistic responsibility in regards to the food appropriation conversation: 1) Food writers need to stop anointing white chefs as the ambassadors of foods that developed in places where the residents have been victims of American bigotry. ", "Matisyahu on Akeda, His Religious Evolution, Divorce, and "Dealing With a Lot of Rejection, "Matisyahu Tonight at Sound Advice Amphitheatre", "Matisyahu loses kippah, Drew Barrymore's chuppah, Madonna as Hitler", "Matisyahu and the Pitfalls of the Charismatic Leader", "Matisyahu's Public Transformation: What The World Doesn't Understand About Religious Jews' Reaction", https://en.wikipedia.org/w/index.php?title=Matisyahu&oldid=979808143, Articles with dead external links from January 2018, Articles with permanently dead external links, Articles with dead external links from September 2018, Articles with unsourced statements from June 2018, Official website different in Wikidata and Wikipedia, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 22 September 2020, at 22:27. I want my music to have meaning, to be able to touch people and make them think. What do you expect from Slate??? He has since been represented by former Capitol Records president Gary Gersh. In Matisyahu, he said, the industry found an unlikely and attractive musical vehicle, one that could deliver reggae music to an audience, predominantly white, that would otherwise have most likely remained uninterested. Drawing hard and fast rules about what is and isn’t cultural appropriation necessarily involves drawing hard and fast line between cultures, which makes me uncomfortable. [27], In November 2009, NBC used Matisyahu's song "One Day" as background music for their advertisement of the Olympic games. I suppose I could explore this more, but the caffeine from the earl grey hasn’t quite kicked in.

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