Otherwise, you should close this page and view another page. The opening sequence of the Stand Alone Complex series, episodes number 8 "The Fortunate Ones – MISSING HEARTS" and 37 "Kusanagi's Labyrinth - AFFECTION" implies that Kusanagi has spent most of her life in a prosthetic body. Female She underwent cyberization at a very early age and had trouble adapting to the use of her body which resulted in her inadvertently breaking one of her favorite dolls. She identifies herself as containing "Motoko Kusanagi" elements, along with Project 2501, the Puppeteer. Motoko ranked 13th in IGN's list of the top anime characters of all time in 2009, commenting that "though she may be cool, professional, and mostly artificial, she's unquestionably human, and following her adventures through Ghost in the Shell was never less than fascinating. The lesbian sex splash panel was cut from the original American release of the manga, as it would have entailed giving the book an "adults only" rating. The Major,Chroma [10], Motoko's female identity and appearance is countered by the autonomous subjectivity, resulting in a "male" cyborg body which cannot menstruate. In the 1995 animated film Ghost in the Shell by Mamoru Oshii, the Major's design is significantly different from her original manga appearance. The English dubbed version changes the line to "Must be a loose wire." -Motoko to Batou [3], "Kuze. Since she has a full cybernetic body, she is not certain her "ghost" retains any humanity and speculates on the possibility that she is entirely synthetic intelligence, with artificially generated memories and emotions designed to "fool her" into thinking she was once human. The unnamed boyfriend works for Section One, and they have been dating for seven months; to which Batou considers this "a new record." https://convergence-series.fandom.com/wiki/Motoko_Kusanagi_(%CE%B2)?oldid=24924, "We weep for a bird's cry, but not for a fish's blood. There are many occasions in the franchise where Batou will tell her not to "do anything stupid" and she proceeds to do it anyway. In Season 1, Motoko's standard attire is quite a revealing one, as noted by many characters. Considered a "Wizard Class" grey hat, her computer security hacking skills allows her brain–computer interface consciousness in controlling two-external humanoid "drone"-robots remotely with the ability to move from host to host. She is suspected of being the Puppeteer, but is no longer suspected when she rescues Togusa from a (coerced) suicide attempt. Classified as "Wizard Class" grey hat, her computer security hacking skills allow her brain–computer interface consciousness to control two-external humanoid "drone"-robots remotely with the ability to move her "ghost" from host to host. She arrived in-game on March 1, 2011 and currently lives in a state of heightened paranoia.. age: I dunno. Not all that much more serious than this one. In the second edition, released in 2004, the scene is completely unedited. A boy who was also a victim of the plane crash continuously made origami cranes using only his left hand, as much of his body was paralyzed in the accident, in hopes of giving them to her when she woke up. In the 2017 DreamWorks Pictures Ghost in the Shell live-action movie directed by Rupert Sanders,[10] Scarlett Johansson portrays Motoko,[11] who is initially introduced as Mira Killian (who shares the same initials). The boy thought she had died, but she was actually being cyberized and given a full prosthetic body. Motoko also understands many a human concepts, such as desire and lust. Even if she's a force to be reckoned with, Motoko isn't invincible and can be scarcely outmatched in different outcomes, due to her versatility and balanced body composition, which lacks a focused specialty. It's the way it should be, but a film with no beginning or end that hooks an audience and won't let go of them is harmful no matter how wonderful you may have believed it was." 2nd GIG, Episode 17 – "DI Mother and Child – RED DATA", having taken an adolescent male to a hotel after rescuing him from yakuza, both share the same bed for the night, with Motoko attempting to seduce the boy and to gain his trust. In the Stand Alone Complex continuity, Motoko Kusanagi is a confident, calculating, and somewhat aloof individual. [14][note 3] Austin Corbett commented on the lack of sexualization from her team as freedom from femininity, noting that Motoko is "overtly feminine, and clearly non-female". Motoko Kusanagi, more often referred to as simply "The Major," is the primary protagonist of the Ghost in the Shell franchise. In the sequel, Ghost in the Shell 2: Man/Machine Interface, a person known as Motoko Aramaki appears. She was once a little girl who had been in a plane crash causing her to be in a coma. The Major is on a ship. Unlike her manga counterpart, the Major has an androgynous face and rarely shows emotion. Being strong-willed, physically powerful, and highly intelligent, she is well known for her skills in deduction, hacking and military tactics. She had only been bested by the greatest of her foes, notably in hacking by the enigmatic Laughing Man, in influence by the CIS' Kazundo Gouda and in emotions by the full-cyborg revolutionary Hideo Kuze, the latter of whom she shares many similarities. Throughout the movie, she seeks to find answers to her questions and finally meets the Puppet Master, a rogue AI who became sentient and who is also looking for existential meaning. Motoko Kusanagi (草薙 素子, Kusanagi Motoko) is the main character in Masamune Shirow's Ghost in the Shell Stand Alone Complex anime series. She is a synthetic "full-body prosthesis" augmented-cybernetic human employed as the field commander of Public Security Section 9, a fictional law-enforcement division of the Japanese National Public Safety Commission. She underwent cyberization at a very early age and had trouble adapting to the use of her body which resulted in her inadvertently breaking one of her favorite dolls. As a cyborg, Kusanagi is able to perform numerous superhuman feats, such as superhuman strength, leaping between skyscrapers, advanced acrobatics, or shooting down a bullet after it was fired at mid-range. 20' (Millennium)," indicating that Millennium is another of the Motoko Kusanagi/Project 2501 hybrid entities. In a climactic sequence, she tears apart her mechanical body in the process of opening the ship's CPU hatch in order to hack into it. Kusanagi is frequently portrayed in the film as contemplative and brooding, in contrast to the down-to-earth nature of her partner Batou. The neuro-cyberbrain revolutionized education and has made training in any task simply a matter of uploading the proper data. [5] English voice actor and director Mary McGlynn states she loved playing the role of Motoko Kusanagi and described her as "someone [who] was that strong, and still kind of feminine at times, but also kick-ass".[6]. The Major's "ghost" eventually returns in person to help Batou on the Locus Solus gynoid factory ship. This series is set after previous events, and sees Public Section 9 hire themselves out as mercenaries. The list of authors can be seen in the page history there. When the Tachikoma sacrificed themselves to save Batou, Major Kusanagi understands that she was wrong in halting the usage of the Tachikoma and proposes that they might have evolved to have ghosts themselves. Due to this, he created an episode in the second season where he recounted her past. There is also unresolved sexual tension, because no one is allowed to be happy, ever. Throughout the movie, she seeks to find answers to her questions and finally meets the Puppet Master, a rogue AI who became sentient and who is also looking for existential meaning. After becoming a cyborg, Motoko befriended him, but thought she had disappointed him because she wasn't able to return the efforts he had given for her. She shows up later as Chroma, to warn Batou to stay away from the "Solid State Society". Throughout the series, The Major maintains her signature commanding presence and authority. The bottom of the leotard is black. Take your favorite fandoms with you and never miss a beat. This is the infamous episode where the Tachikomas sacrifice themselves to save Batou. "If you've got a problem with the world, change yourself. When posing as the thief Cash Eye, Motoko wore a white skintight catsuit. The boy thought she had died, but she was actually being cyberized and given a full prosthetic body. Solid State Society,Ghost in the Shell: SAC_2045 "The juxtaposition, in the first five minutes of the film, of her reference to menstruation with the scenes of her cyborgian replication, immediately underscores the fact that this film's theme is the problematic of reproductive sexuality in a posthuman subject. In Ghost in the Shell, Kusanagi participates in a lesbian sex splash panel, involving Kurutan and Ran, and has a boyfriend. In the sequel, Ghost in the Shell 2: Man/Machine Interface, a person known as Motoko Aramaki appears. Motoko Kusanagi often switches her prosthetic bodies. In the 2017 DreamWorks Pictures Ghost in the Shell live-action movie directed by Rupert Sanders,[6] Scarlett Johansson plays Motoko,[7] who is initially introduced as Mira Killian (who shares the same initials). In the climax of the film, Kusanagi and the Puppet Master "merge" to form a "newborn": an entirely new entity that exists free of physical boundaries and can propagate itself through the Net. Due to the Puppeteer case, she started to change and became much more serious. Often referred only as "The Major" (少佐), Motoko is one of the best police agents out there, and her squad, known as Section 9, is highly regarded as well.

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