On October 17, 2019, Eibon Press announced that Grindhouse Releasing had discovered the original recordings of the score for the US 7 Doors of Death cut, and they had collaborated to release a limited-edition CD with a comic book adaptation of the film. Pricing, channels, features, content, and compatible devices subject to change. [59] Film critic Steven Jay Schneider ranked the film number 71 in his book 101 Horror Movies You Must See Before You Die (2009). [18] Due to logistical restrictions, however, this was unable to be filmed, and the existing final sequence—in which the characters enter a vast desert landscape full of corpses—was devised by Sacchetti "on the spur of the moment". [18], For the role of the ghostly Emily, Stefania Casini was originally considered, but Casini turned down the role as she did not want to wear the blinding contact lenses she would have been required to wear. [20] The sand was dampened with water, which, through evaporation, resulted in the natural fog effect present in the film. He becomes curious but is struck by a sudden force and falls from a ladder, resulting in paralysis. A couple of years back (late 90's), I had the pleasure of experiencing Fulci's The Beyond the way it was meant to be watched...on the big screen at the Angelica Movie Theater in Soho (NYC) at midnight, in all of its uncut glory (thanks to Quentin Tarantino's Rolling Thunder Films).For a couple of hours, I was taken aback to the greatest days of horror!

This produced beautiful reflections on the water and smoke machines provided the perfect atmosphere. [14] Fulci was a lapsed Catholic, and previous films of his, such as Don't Torture a Duckling (1972), had dealt with corruption among clergy. They look just like the dead people who walked out of the morgue. Bloody zombies roam there. [18] Originally, the film's final sequence in which the characters enter the "beyond" was meant to take place at an amusement park, where the two main characters, now dead, are able to enjoy themselves in a "great amusement park of life". The ending is as disturbing as it gets, and the deaths are both unique and horrifying (vintage Fulci).I remember walking to the subway station that night, still thinking about what my eyes had just seen (occasionally looking over my shoulder) - realizing I had been genuinely scared and disturbed by a movie that at the time was about 17 years old. Want to share IMDb's rating on your own site? Among these were the interior shots of the film's opening sequence featuring the mob murder,[24] as well as interior replicas of Emily's home. Then, after they're killed, they get ugly.. We never know why they get killed or why they get ugly, which leads me to suspect that maybe this is an art film. Weak, disjointed plot; slow pacing.

"[24] As he was a fluent Italian speaker, Ray served as Fulci's translator and interpreter throughout the shoot. ... TVMA • Horror • Movie (1981) Zombie Strippers! Liza attempts to go after Emily, but notices that her own footsteps are audible, while those of Emily and her guide dog Dicky are not. His movies each played like paint on canvas from beginning to end. The beyond) is a 1981 Italian Southern Gothic[6][7] supernatural horror film directed by Lucio Fulci, and starring Catriona MacColl and David Warbeck.

[22] Among these for Monreale was her character's violent death sequence, in which she is viciously mauled by her dog.

… [18] Simpson describes the trilogy as being loosely "connected by the trope of hapless mortals literally living on top of an entrance to Hell and then inadvertently falling into it".

In this gore classic, a woman inherits a hotel built over an entrance to Hell. A plumber named Joe investigates flooding in the cellar and a demonic hand gouges out his eye. [55] Time Out London, alternatively, called it "a shamelessly artless horror movie whose senseless story—a girl inherits a spooky, seedy hotel which just happens to have one of the seven doors of Hell in its cellar—is merely an excuse for a poorly connected series of sadistic tableaux of torture and gore.

[18] According to De Angellis, much of the plot was devised based on vague ideas Fulci had for various death scenes, as well as several key words that he felt unified his vision. The blood-soaked pair retreat to the hospital, which is empty.

[26] The result appears as two seamless arms, and allowed for the crucifixion to look authentic, as the hands were motile and could writhe in reaction. [26] According to Trani, crafting the sequence was "complicated," but "proved to be simpler than expected. Before you write this film off, PLEASE NOTE: The Beyond is the second movie in a trilogy.

As of 2019, the "7 Doors" alternative score prints were discovered, and are in the process of restoration. The limited-edition set was packaged in a tin box with alternative cover artwork, including an informative booklet on the film's production as well as various miniature poster replications. [63], A Blu-ray version of the film was released in Australia on 20 November 2013.

Later, Liza encounters Emily at the hotel.

Let me give you an example. The Beyond is ranked among Fulci's most celebrated films, and has gained an international cult following over the ensuing decades.[9]. Title: A painter has a lethal fall, the plumber vanishes and her friend breaks his neck. Her renovation work activates the hell portal, and she contends with increasingly strange incidents. View production, box office, & company info. The Beyond is a grotesque film and given its subject matter, it’s fully appropriate and proportionate. The cellar of an old hotel is built on top of the door to the beyond. [18] De Angelis recalled Fulci discussing the film's concept with him: "So he's telling me this story about a couple moving into a house, where underneath is hell. [18] After making City of the Living Dead (1980), Fulci sought to make a follow-up film as part of a trilogy with the "Gates of Hell" being a unifying theme.

Will he find the perfect woman in a photographer, and end his killing spree? They move forward through the flooded labyrinth and stumble into a supernatural wasteland—the same landscape in Schweick's painting, which turns out to be Hell itself. Matthias Luehr . In 2016, Rolling Stone ranked Frizzi's score the 11th-best horror film score of all time.

1. No matter which direction they travel, they find themselves back at their starting point.

L'aldilà, lit. Due to streaming rights, a few shows play with an ad break before and after.

[18] Instead, audiences largely responded with fear, prompting them to make a straightforward horror film. Jill attacks Liza and is killed by John. [6], The concept of "the beyond", which the characters Liza and John enter in the films' final sequence, is interpreted by film writer Meagan Navarro as a statement on "the Catholic concept of purgatory". As of 1 October 2019[update], The Beyond placed at number 64 on their top 100 list. [26] Close-up shots of Mirabella's real mouth were intercut with ones of his false mouth (including close-ups of a fake tongue) as it is bitten by the spiders, resulting in a seamless image of the attack. [20] The sequence was shot on an empty soundstage which had leftover sand from a previous film,[18] and random civilians were hired off the street to appear as inanimate corpses lying in the sand. [26] Trani's hands appear onscreen as the nailer who completes the crucifixion. Bloody zombies roam there. [13] Writer Bill Gibron suggested that the film has a subtext of "slavery, witchcraft, mob justice—and perhaps the key to almost all Fulci narratives—revenge" at its core. [18] In an interview, Fulci gave the film's budget as 580 million Italian lire, half the amount that De Angelis had originally allotted to it.

Liza's friend Martin Avery visits the public library to find the hotel's blueprints, which reveal a large unknown space in the center. Use the HTML below. [26] To achieve the melting effect of the face, real sulfuric acid was dumped over a cast of the actress's face, which was made of a mixture of wax and clay; sulfuric acid dissolves the latter substance.
Man I miss the "Hey-Day" of horror, and the true masters of it! The Ghost Town of Zombies).

[28] Chris Alexander of ComingSoon.net also ranked the film's main theme, "Voci Dal Nulla" (English: "Voices from the Void"), one of the greatest horror film themes ever composed.

[12] Film scholar Wheeler Dixon similarly wrote that the "slight framing narrative is merely the excuse for Fulci to stage a series of macabre, distressing set pieces". But when she starts to renovate, the gates get opened, bringing forth enough demons, killer spiders, ghosts, and evil zombies to make a grand reopening highly unlikely. [29] In 1981, the score was released in Italy on vinyl through Beat Records Company. A reporter and a psychic race to close the Gates of Hell after the suicide of a clergyman caused them to open, allowing the dead to rise from their graves. A young woman inherits an old hotel in Louisiana where, following a series of supernatural "accidents", she learns that the building was built over one of the entrances to Hell. Liza encounters a blind woman named Emily, who warns that reopening the hotel would be a mistake. Schweick's painting bleeds, and an unseen force says "And you will face the sea of darkness, and all therein that may be explored".

In the end, lots of these scenes were dreamed up on the spot and added as a combined work between Fulci, David Pash and the crew.

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