1°) Did you try the Deco on vocals ? This creates a very different effect as the three-dimensional acoustics of sound and reflections means that the complete cancellation and reinforcement of electronic comb-filtering does not occur when the signals are mixed acoustically. It's all in the fingers. Any chance you know a release date yet? Running two decks simultaneously creates a host of sonic possibilities that benefit from the tonal enhancements produced in the record/playback process. We do not accept liability for typographical errors or inaccurate information of any kind. The NAB and CCIR recording standards in the US and Europe respectively called for a flat frequency response through record/playback process with minimal harmonic distortion. Low frequencies can experience a boost on playback due to a phenomenon known as ‘head bump’ that is dependent on the tape width. Along with the tape saturation, signal path components such as transformers or tubes will also impart their sonic signature as they are driven harder based on circuit design parameters. One customer has given this product a 3-star rating. We are musicians ourselves and share your passion for making it. ... Volca beat, monotribe, monologue, jazz master, tele, dynamic mic with vocals all through in the past few days. With that in mind, it seems like there’s not much opportunity for ‘coloring’ of the sound. Of these, 4 customers have written no texts or given their feedback in another language. A phase inversion of the lag deck will produce a different response most noticeable in the low end. Double tracking techniques were also used to create stereo effects from a single track using the same methods as above, but with the output of one deck going to the Left channel and the other going to the Right channel. With both decks in sync at zero lag, a slight modulation of the speed of the lag deck creates a subtle panning movement between the channels due to the precedence effect. The equalization on the recording side is known as Pre-emphasis and the equalization on the playback side is De-emphasis. The overall response of the recording side (tape plus Pre-emphasis) has a boost in high frequencies, while the playback side (tape plus De-emphasis) has a corresponding cut in high frequencies. From the inherent warmth and luscious tape saturation—to the forgotten art of how these machines were manipulated—they are capable of creating a huge range of beautiful, distinctive, and enveloping sounds. Payment can be made safely and securely with Credit Card, Bank Transfer or PayPal. 5 customers have given this product a 4-star rating. The Strymon is stereo in / stereo out, and can run just fine at +4 level in studio mode without any sort of added interface or reamp type box. Described as making tracks sound ‘fatter’, ‘fuller’, or ‘punchier’, the intrinsic properties of the record/playback process create a level- and frequency-dependent dynamic response. The echo time was fixed based on the tape deck’s physical head distance, but most decks allowed for a half-speed option, so the delay time could be doubled by running the machine at the slower setting. @Nikko – Yes, this is similar to what many studio engineers who knew how to manipulate these machines did back when reel-to-reel tape recording was common. Because the Deco is unbalanced, using it as an insert might be a pain to accomplish. This is not uncommon. So my questions are : It made every single thing I put through, somehow better. Very cool pedal, great sound, compact size, excellent gain staging. I bought my Deco specifically for Lennon-esque ADT on live vocals ... just a yummy random slapback - But I did not expect to be so wowed with what this does to my mono analog synths. I have plenty of Strymons and this one is very peculiar as I use it for recording exclusively. Chorus will typically run the 2nd deck at a lag time between 10ms and 30ms, with slight manual manipulation of the deck speed to modulate the delay time for movement in the sound. If the reason that you're avoiding using VSTs for this purpose is b/c you are worried about collaborators not having the same plug-ins, you can just render the track locally on your system so that the effect of your plugins are baked into the audio file and then use that in the project. At longer lag times, a phase inversion will give a subtle change in tonality and stereo image. After recording the original signal, it was played back while the sync signal (record head output) was sent to the 2nd deck’s input. While the legendary Les Paul pioneered the techniques and concepts of double-tracking and multi-tracking effects, the effects were popularized in music recorded in Memphis and London in the 50s and 60s. Chorus will typically run the 2. deck at a lag time between 10ms and 30ms, with slight manual manipulation of the deck speed to modulate the delay time for movement in the sound. Whether you’re a classic spring reverb fan or a studio rack aficionado, you’ll find your mojo here. You can't adjust the settings afterwards, but it will be heard by everyone regardless of plugin setup, same as the deco. I should state that I'm a bit of a noob when it comes to recording. A second signal goes to a Palmer PDI-03, then both signals go into my RME Babyface Pro. @Romano Nervoso – Thanks for supporting Strymon! Similarly, it sounds great with heavily distorted guitar signals. The 1965 NAB specifications stated that 3rd order harmonic distortion should not exceed 3% at peak levels (6dB above nominal level) . Do you believe this rating to be inaccurate or unacceptable for some reason? Over-Ear Headphones Circumaural, Single-cable configuration, Lightweight design, Velour earpads, Open design, Max. The professional reel-to-reel machines designed in the 50’s and 60s were high-fidelity units built to accurately record and reproduce full-range audio signals. With zero lag and no modulation, a phase-invert switch on the lag deck acts as a channel phase switch which can come in handy with dissimilar cabs, or amps or speakers that may be wired out of phase. Thomann is the largest online and mail order retailer for musical instruments, light and sound equipment worldwide, having about 10m customers in 120 countries and 80,000 products on offer. For clarification, I own the El Capistan but do not own the Deco. When the tape is saturated (during peak transients or when the record level is cranked up), the effective high boost of the pre-emphasis is diminished as the tape cannot record larger signals. 60 customers have given this product a 5-star rating. The Gear Page is the leading online community and marketplace for guitars, amps, pedals, effects and associated gear. Keyboard 61 Standard keys with velocity sensitivity, 622 Sounds (incl. It's often said that gear will never make you sound better than you are. Apart from the shop, you can discover a wide variety of additional things - forums, apps, blogs, and much more. And this is true, the one and only exception I've ever come across being the Strymon Deco. And this is true, the one and only exception I've ever come across being the Strymon Deco. The term ‘modulation’ in its broadest sense covers a range of sonic effects, from the subtlest chorus to ear-bending ring modulation. Dismiss. If you can’t publish an exact date, can you give a “ballpark” range… Some of us need to start saving up some money and having a general idea helps. SPL (sound pressure level): 110 dB (1 kHz, 1V), Impedance: 120 Ohm, Frequency response: 6-38,000 Hz, Total harmonic distortion (THD) at 1 kHz. 22 drum / SFX kits, 339 XG lite and 20 arpeggios), 205 Styles, 154 Internal songs, 48 Voice polyphony, 2 Track sequencer / 5 user songs, 1 One touch... Behringer 182 Sequencer; Eurorack Module; Analog Sequencer; two channels with 8 Steps each; channels can be used in series for 16 Steps; number of steps selectable from 1-8 Steps; Start/Stop switch; manual controls for Tempo, Gate time and Delay (Portamento);... Swissonic Webcam 2 Full-HD AF; USB business webcam with auto focus for videoconferencing and video streaming; built-in stereo microphone; plug & play without setup; compatible with Mac OS and Windows; multi-functional mount for standing operation or easy mounting on the... Shure BLX24/SM58 S8, Thomann exclusive Edition, SM Vocal Series, UHF Wireless-System with SM58 handheld transmitter, up to 7 Systems parallel, Pilottone, antenna-Diversity, Quick-Scan to find free frequencies, dynamic SM58 capsule, 50 - 15.000 Hz, cardioid, receiver with plastic housing, internal... Plugin Collection Consists of over 65 software instruments, software effects and 24 expansions, Over 35,000 sounds, Includes i.a. Both deck’s playback outputs were mixed together while the lag deck was sped up and slowed down, creating a dramatic sweeping comb-filter effect as the lag deck crosses through ‘zero delay’ time relative to the reference deck. Yes, we have used Deco with vocals and it works very well. Further increases in the lag time result in natural doubling and slap effects where the echo is physically displaced from the source. So, what happens when those VU meters are pushed further into the red? It's all in the fingers. Yes.......and the Strymon sounds fantastic.......more natural than any tape saturation plugin I’ve tried. Alternatively, please feel free to use our accounts on social media such as Facebook or Twitter to get in touch. The inherent warmth of reel-to-reel mixing and mastering tape decks is well known and still highly regarded today. Of these, 46 customers have written no texts or given their feedback in another language. Doubling effects would be achieved around 40ms to 60ms with or without additional speed modulation. Turning up the recording level intensifies this effect and rewards dynamic playing. With the internal jumper set to stereo, it will accept stereo line level signals from its TRS input to work with your stereo mix. is this similar to what Ritchie Blackmore would do with a reel to reel? At this point, after 9 months of regular use, I'm still very happy with the pedal. Third-order harmonics increase appreciably as the recording level increases and fattens up the lows and mids, adding higher odd-order harmonics as the level is further cranked. We have a wide variety of pages giving information and enabling you to contact us before and after your purchase. If your using a pedal then you are committing. The 1st deck records the input signal, along with the playback signal signal from the 2nd deck. With the internal jumper set to stereo, it will accept stereo line level signals from its TRS input to work with your stereo mix. It works great. Although the overall process has a flat response, the individual record and playback operations themselves are far from flat. *RRP = manufacturer's / distributor's recommended retail price in Germany, Tape Saturation, Tape Echo, Tape Chorus, Tape Flanger, Controller for saturation, volume, blend, lag time and wobble, Minitoggle switch: Sum, Invert and Bounce, Strymon Miscellaneous Guitar Effects at a glance, Display Miscellaneous Guitar Effects from £ 300 - £ 400, Go to product group Miscellaneous Guitar Effects, Go to product group Guitar and Bass Effects, DSM & Humboldt Simplifier Amp/Cab Simulator. For static comb-filtering effects, the decks are run with a constant offset lag between them. Inverting the phase of the echo deck creates a subtle difference in the low-end response that can sound more natural in some applications, as the sound-wave is inverted in a physical reflection. This results in a ‘flattening’ of the response of the recorded signal on tape. In his younger days, he installed four pickups and three toggle switches in a vintage '69 Telecaster after taking a belt-sander to it and staining the body brown. So how do we get a flat overall frequency response? Under normal operating conditions, a small amount of 3rd order harmonic distortion is present which contributes to some of the low-end warmth of the tape. However, the sound was shaped by a number of elements that result in dynamic equalization effects and saturation effects. This arrangement allowed for real-time live-performance echo to be created and recorded for vocals and guitarists as they tracked their parts in the studio. On the playback side, the playback heads and de-emphasis curve will roll-off the high frequencies, resulting in an overall spectrum that has reduced high end.

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