In the former mode, you might want to disable the SansAmp stage, which incorporates the speaker emulation, using the amp alone as your primary sound, the Plexi for extra distortion and the Hot boost to push either (or both) a bit harder when needed. Tech 21’s Fly Rig 5 is a very compact multi–stage guitar pedal, designed for both DI’ing straight to a PA or recording system, and for use in front of a guitar amp. Overall, I preferred to use the Plexi stage as part of the voicing of my basic tone, rather than as a switchable distortion pedal, but carrying one more pedal to give me switchable distortion on a ‘fly’ gig wouldn’t be a deal–breaker for me. Click one of the colorful buttons to become a registered VIP member for our high-quality download service by Paypal. The SansAmp’s Drive control has enough range to get you into overdriven Fender amp territory on its own, even with single coils, and you can always hit the front end harder by kicking in the adjustable Hot boost function. At higher performance volumes I was consistently backing off the lows and boosting the mids.

The Low, Mid and High controls are post–distortion, so it pays to think of them as final tone–shaping controls like a mixer channel strip, rather than distortion–shaping elements like most guitar preamp tone controls. Five footswitches activate the four individual processes — boost, distortion, SansAmp and delay — and, as the reverb is tied to the SansAmp module, the fifth switch is available to be used as a tap tempo for the delay. • Performance Mode to instantly access your 3 most often used presets, • Buzz, Punch, Crunch and Drive for tons of tonality options, • Gain for different flavors of overdrive, • Dual band active EQ, cut or boost ±18dB, • Global Trim control to adjust the level of all presets, • MIDI capability for calling up programs and storing program data, • Special Page Functions• 1/4-inch 1megOhm input • 1/4-inch low impedance output• Speaker simulation defeat switch. The Marshall setting on the Tri AC is great, the Fender and Mesa just OK. Running the Fly Rig 5 with all three gain processes on at the same time, but with each one outputting at only just above unity, gave me a setup that was no noisier than a typical tube amp at an equivalent gain/level combination. The SansAmp PSA 2.0 offers the same 100% analog circuitry for punchy, responsive, organic sounds that bring out the best in any instrument. And being all-analog, there is zero latency. Of course, there are many different ways of using the Fly Rig 5 — you can run the SansAmp completely clean and switch on the Plexi for distortion, or you can just overdrive the SansAmp with the Hot boost — it all works. The manual was written in by TECH21 and applied to Character Series Settings British. They are fine as ‘set–and–forget’ controls, but if you want to adjust them in performance with any degree of certainty, it is well worth using some of the push–on enlargement sleeves that Tech 21 now ship with every unit. • Silent-switching, custom footswitch actuators• Measures 7.75”l x 2.5”w x 1.25”h• Weighs just 12 oz.• Utilizes included 9V DC Universal Power Supply: Model #DC9. Page 2 PUT OF NY AMP directly into a SansAmp input. Convincing DI guitar processors that allow you to stay in the analogue domain are few and far between. If you are an AxeFX or Kemper user (and you are not so flush that you bring two of them to every gig), then an FR5 might be a great emergency backup. The SansAmp PSA 2.0 provides the flexibility to find almost any conceivable personality within the vintage and modern guitar and bass amplifier sound spectrums, as well as an assortment of revered stompboxes. If you regularly have to use rented backline with no great certainty as to what it will be, then an FR5 offers a consistent element to your tone shaping, with enough versatility to cope with whatever shows up. Drive, like all the Fly Rig 5’s controls, has a very wide range, whilst the Tone control operates like the one on the Hot Rod Plexi pedal itself, in that it progressively attenuates HF as you dial it back from maximum. With 128 memory locations, storing and recalling programs is simple. With 2019 marking our 30th Anniversary, we thought […] Mastering Essentials Part 3 - How loud should I master? The mini controls are all arrayed across the top and illuminate in a different colour for each stage. The views expressed are those of the contributors and not necessarily those of the publishers. © 2005-2020, devicemanuals.com, V. 4.3.1. system (or both simultaneously), and as an outboard processor. “Auto-switching,” self-adjusting 100V240V, 200mA. Additionally, the PSA 2.0 features a Performance Mode, which turns it into a 3-channel stompbox. The delay, with a little wobble dialled in, is a delight, and the reverb just works, becoming an integral part of the sound without being too obvious. Or, you could get a Tech 21 Blonde and a Hot Rod Plexi and a Boost and a Delay and a Reverb and a power supply and a pedalboard... but it would be five times as big and cost you three times as much. The SansAmp PSA has been used on thousands of major releases, worldwide tours and film soundtracks for multiple applications and instruments –including guitar, bass, horns, vocals, and drums. In the studio, you can record direct, enhance existing tracks in mixdowns, as well as add interesting touches to any instrument. With 2019 marking our 30th Anniversary, we thought it was time to change things up a bit and streamline its architecture into a compact, easily portable pedal. Cranborne Audio Camden EC2 Preamp & CAST Expanders. Wide–ranging controls allow it to cover a number of different applications. There is a lot of range in the SansAmp controls, however, and I found I could improve the sound of some amps by leaving the SansAmp active, even though I was then, technically, hearing a speaker emulation through a real speaker. And if you don’t already have a great DI recording facility, it’s the most complete all–analogue solution there is (yes, I know the effects are digital, but you don’t have to use them, and if you don’t, they are not in the signal path).

OWNER’S MANUAL PSA 2.0 Originally introduced in 1993, the SansAmp PSA-1 rackmount, and later PSA-1.1, quickly became studio staples. The manual was created in PDF format with the filename of characseries-omsettings_br.pdf and the length of 1 pages in total. If you are happy to go digital, you’d be looking at Zoom, lower-end Line 6, Behringer and so on. Ample Metal Ray5 FREE Library Update and 25% off our Me... Sound Magic Releases Legendary Hu, a new virtual instru... APD Offer: Sonible Halloween Promo - 70% Off entropy:EQ... Offers a variety of really good, highly usable sounds. You may login with either your assigned username or your e-mail address. Some players might have preferred a TS–type mid boost instead of the Plexi. Includes interchangeable international prong assemblies for EU, UK, Australia/New Zealand for use anywhere in the world. Tech 21’s Fly Rig 5 is a very compact multi–stage guitar pedal, designed for both DI’ing straight to a PA or recording system, and for use in front of a guitar amp. There is no facility for onboard battery operation. Compact and highly affordable ones, even more so. The Owners Manual, called as User's Guide, Operating Instruction as well, was published for TECH21 Amplifier. Both Plexi and SansAmp stages have an output level control, allowing you to optimise gain staging through the unit, and whilst the reverb offers only a single level control, the delay module offers Level, Time, Repeats and Drift — the latter applying a gentle random modulation, achieving a nicely worn tape–echo effect.

The primary applications are either as an ultra–compact pedalboard going into the front of an amp, or as a ‘complete rig’, feeding a speaker–emulated signal straight to a PA system or full–range/flat–response amplification on stage. Live, the SansAmp PSA 2.0 can be used as a pre-amp direct into a power amp with guitar or bass speaker cabinets, as a “monster direct box” to a P.A.

All rights reserved. Page 1 If unit becomes defective within warranty period,Tech 21 will repair or replace it free of charge. The name derives from it being the kind of rig you can take on a long–distance ‘fly’ gig, where the only thing you’ll get to bring with you is your guitar — this will fit in the pocket of a guitar case or gig bag with room to spare! What you make of the Fly Rig 5 will probably depend on what you already have.

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