It does not matter where you live or what country you are a citizen of. His work has been published by The Buffalo News, The Hamburg Sun, USAToday.com, Chron.com, Motley Fool and OpenLettersMonthly.com. “Both groups applying to run the MLC are experienced with the rights involved, the collection of royalties, and technology,” Jacobson said. ��\� ��/;�cJP�`L`:�Ǥ��{@}�����OXw1|fX8q�>5��UKWGE���X� Although Apple Music was a major DSP that didn’t appeal, the situation calls into question other areas where the two sides of the industry need to cooperate under the MMA, such as the requirement that streaming providers fund the creation of the MLC’s musical works database. If you are a copyright owner, even for one song, and your music is streamed in the U.S. on a music service like Spotify, Apple Music, Google Play, Amazon Music Unlimited or others you get a voice in who is chosen to work for you. This free E-book (PDF format) will tell you everything you need to know about the Music Modernization Act. Outside of this heated debate, other factors, such as an appeal of the Copyright Royalty Board’s recent mechanical licensing rate-setting by Spotify and Amazon, suggest that it may be difficult for the MLC to work as intended. endstream endobj startxref By contrast, the AMLC has board members with the technology background required to accomplish the MLC’s various responsibilities, including the creation of a musical works database that will help music creators collect royalties for their music. Instead, these streaming services would obtain a blanket license from the Mechanical Licensing Collective (MLC), another new feature of the MMA. The Office received proposals from two entities seeking to be designated as the MLC: (1) The “Mechanical Licensing Collective, Inc.” referred to here as “MLCI”; and (2) the “American Music Licensing Collective,” referred to here as “AMLC.” The candidates' respective submissions take differing approaches to demonstrating compliance with the statutory criteria. “The music publishers wrote that language and it serves no other purpose,” Price added. He writes about technology and innovation. The Registered Agent on file for this company is Derek C. Crownover, Esq., Dickinson Wright, PLLC and is located at Music Row 54 Music … 777 0 obj <>/Filter/FlateDecode/ID[<70B2AC874A259D41B3FAF8ED397AB8B3><904BC1EB0F629641BDFD8B69C716DE71>]/Index[766 24]/Info 765 0 R/Length 75/Prev 383611/Root 767 0 R/Size 790/Type/XRef/W[1 3 1]>>stream “If all goes as intended, the MLC should be very helpful in regard to helping songwriters collect royalties from streaming services,” said Erin M. Jacobson, an attorney with extensive experience in advising musicians and songwriters on intellectual property rights matters. On October 11, the Orrin G. Hatch-Bob Goodlatte Music Modernization Act (MMA) was enacted into law after passing both the U.S. Senate and House of Representatives. There are two groups that have proposed their own membership of the MLC to the Copyright Office: a coalition of major publishers from the music industry, including the National Music Publishers Association (NMPA), Songwriters of North America (SONA) and Nashville Songwriters Association International (NSAI); and the American Music Licensing Collective (AMLC), a collection of songwriters, musicians, tech developers and executives from smaller rights organizations and publishers within the music industry.

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