I was initially very skeptical about the digital saturation as most digital overdrive and distortion effects fall short of their analog counterparts. Setting the dial below that point actually makes the Lag deck's signal precede the Reference deck, which is a key requirement for accurately nailing tape-based effects like ADT (automatic double tracking - made famous by The Beatles) and true through-zero flanging. The kind of gritty drive it does works anywhere in the chain, as do slapback, flange … Sticking to the Tape Saturation side, the Deco instantaneously transformed my guitar sound with incredible body and warmth. Of course, adding this extended tape echo versatility to the Deco might also have cannibalized sales of Strymon’s excellent. What's Hot. I like the broad range of gentle effects it offers, it's very inspiring. Input your search keywords and press Enter. Pros: As fascinating a concept as the Deco is, I wasn’t as excited about this pedal as I should have been until I plugged it in and played it. This gives you the full experience of tape effects and tape tone. When using Bounce mode with tape echo in regular stereo mode, the second repeat bounces back to the left channel. While there are plenty of tape echo inspired effects (including the Strymon El Capistan dTape Echo), never before has one pedal produced such a wide range of classic tape effects. And it’s a shame, because they’ve missed out on the warm compression analog that tape decks produce as well as the soft distortion that occurs when a guitar signal is overloaded into it. For all the various Doubletracker effects the Wobble knob is used to bring in a subtle to more intense modulation of tape speed to create movement. (And if it’s not, you can always trim some lows.) It perfectly executes its sonic vision and provides a wealth of great sounding tape inspired effects in a single compact pedal. I can only think of a few shortcomings, the most glaring being the lack of MIDI implementation. In other words, Deco does only a few things. All Rights Reserved Let’s get down and dirty first. The input and output jacks are located at the top of the pedal, and so is the 2.1mm center-negative 9V power jack. But note that Deco’s true-to-tape concept means the pedal doesn’t offer all the parameters users have come to expect from delay and modulation effects. Powered by Invision Community. I love my Deco. I would just need a few presets though then I’d be totally happy with one - recallable via midi of course. Counterclockwise from noon offers a wide range of tape flanging that chews up and sweeps the signal to achieve that “jet plane” reel-flange, which can be as subtle as Heart’s “Barracuda,” or as extreme as Hendrix’s “Bold As Love.” At any time, you can press down and hold the Doubletracker footswitch to unleash a studio quality through-zero flange that absolutely nails the effect on Queen’s “Keep Yourself Alive.” Set at noon, it introduces chorus that sounds rich and syrupy. The single 1/4" input jack is configured for mono from the factory, but it's actually a TRS jack that can be user-configured as a stereo input. I had mine up in the classifieds recently and then rightly saw sense and took it down! By feeding the output of deck 2 back into deck 1, you’ll achieve a bigger sound with an extra echo repeat being heard on the second deck. The convenience of MIDI control on high-end digital pedals should be the norm at this point, especially with Strymon pedals considering MIDI is so well-integrated in their flagship TimeLine, BigSky, & Mobius pedals. Hopefully you’ve checked out Premier Guitar‘s Deco review. Alternately, you can connect a footswitch to either tap in tempos or leap to one favorite stored sound. strymon.net. The Strymon Deco is amazing at everything it does. Free ground shipping on domestic orders over $49. From here you can adjust the Blend knob to opposite extremes to hear your signal on each side of the stereo field. While you could probably get one of each for not too much more than what the Deco costs if you stick to ultra-budget models, and although they may provide more simultaneous effects, don't mislead yourself into thinking that those pedals will nail what Deco does. Unlike earlier delays that relied on magnetic tape, electrostatic fluid, or bucket-brigade chips, these newfangled devices exhibited no distortion, frequency loss, or wobbly inconsistency. You can’t adjust the flanging and chorus regeneration levels. BA1 1UA. As an effect of course, anything goes - and it's cool that Strymon gives you enough range on the Saturation control that you can do both gentle tape coloration or heavy distortion. Thou would be interesting if it would be shown in action in different styles like jazz, rock and etc. Unlike traditional chorus and flange pedals this isn't a predictable periodic LFO, but much more random and natural sounding modulation that more closely resembles the subtle variances in pitch and timing that occur when a part is played and recorded twice. Quick heel-to-toe transitioning (and vice versa) lets you warp the tape syncing for extreme pitch bending sounds. You can even achieve through zero flanging by dialing in the Lag Time around 9 o’clock with Wobble around 10 o’clock. Subtle differences, but each worth exploring to find the sound you’re looking for. In recent years, many guitarists have fixated not only on the quality of the delay sound, but also the ways analog devices alter the dry signal—witness the popularity of such pedals as the Xotic EP Booster and the Dunlop EP101, which replicate the preamp coloration of an Echoplex tape delay, minus any actual delay. Strymon Deco Tape Saturation & Double Tracker England and Wales company registration number 2008885. Good write up. Receive news and offers from our other brands? At modest settings, you get a touch a fattening compression and a slight low-end bump. The rotation of the lag time knob determines the type of effect. There’s another cool option for players using stereo rigs: a “wide stereo” mode that sends the dry sound to one side and the wet to another for dramatic hard panning in the manner of early Zep and other classic rock tracks. Two footswitches are situated at the bottom of the pedal, one is the Doubletracker Bypass, the other is to turn the Saturation on and off. Even it you keep the Saturation set very low, you’ll still notice a subtle hint of the Deco’s character and mild compression applied to your signal. On the right are the sub-parameters accessed by pressing and holding both bypass switches while turning the appropriate knob. The arrangement of knobs, jacks, and foot-switches is similar as well for an overall appearance that fits in with Strymon’s growing family of effects. The Lag Time adjusts the Auto-Flange Time. If you crave authentic sounding vintage tape-based effects, there's really nothing else out there that will give them to you quite like the Strymon Deco, at least not without resorting to using two big, bulky and temperamental tape decks. Minor gripes and commentary aside, the Deco is simply stunning to behold and my expectations were far surpassed in how much I thought I’d enjoy playing it. And bringing the Lag Time up past 3 o’clock induces a full on single repeat tape echoes up to 500ms.

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