The Alexandria-native became an inextricable part of modern Arab cinema’s fabric, with each of his films more daring than its predecessor. Egypt's great director Youssef Chahine (1926-2008) was probably the greatest Arab film director. Yehia, a young Victoria College student, is obsessed with Hollywood and dreams of cinema. The film tells the story of Joseph, and Islam does not condone the drawing, or acting out the role of a prophet. In 1997, 46 years later, his work was acknowledged at the Cannes Film Festival with the lifetime achievement award. an excerpt from the critically acclaimed award winning film EL MASEER (le destin) by egypt's greatest director youssef chahine. The resistance movements rile up and Jamila is a symbol of inspiration and resistance to the Arab world. The autobiographical films all take place between World War One and World War Two. Along with honesty, Chahine's father ignited his love for books. The film features a mother who exposes a woman's scam after she and her son had fallen in love and planned to marry. Then for Egypt," Chahine once famously said. Lifetime Achievement Award for his whole works. He was honoured in 1997 with a lifetime achievement award at the Cannes Festival, and his final film, Heya fawda (2007; Chaos), was screened at the Toronto and Venice film festivals. Out of the 200 students that attended, only thirteen took the final examination, and only four passed- Chahine ranking first. [30], Upon the release of Al Akhar (The Other) in 1999, the film caused some public controversy. Chahine frequently included gay or bisexual themes in his work. It is 1942, the Germans are about to enter Alexandria, a thought that is preferable to the presence of the British in Egypt. [21], In 1989, Chahine released his third autobiographical film Alexandria Again and Forever. "[18], During his long career Chahine produced different movies, including Aly Badrakhan's Chafika et Metwal (1979). [10] At a young age, he knew what he wanted to become. The film mainly follows the police as they try to solve the murder of Mahmoud, who is believed to be the unidentified corpse in the beginning of the film. The various ways of encountering a criminal trader, namely by a police officer and a journalist, are ultimately only traces that lead to the tip of an iceberg: the corruption of Egyptian society on the eve of the Six-Day War. Keep up to date. Let us know if you have suggestions to improve this article (requires login). They had to be well mannered, and mistakes had punishments(which usually meant having dinner alone in the kitchen rather than outside on the family table.) By signing up for this email, you are agreeing to news, offers, and information from Encyclopaedia Britannica. These films tell Yehia's life, which reflects Chahine's own. Saladin is portrayed as an educated and peaceful man—at one point he is asked to give clandestine medical help to Richard the Lion Heart, who was shot by an arrow. At work, Kenaoui meets the beautiful Hanouma every day, who also earns her living at the station by supplying travellers with lemonade drinks. ), Chahine produced his four autobiographical films starting 1978 and up till 2004. Egyptian audiences, used to simpler melodramas, were disturbed and rejected the film. "Out of this marvellous confrontation there was a rebirth of Egyptian consciousness, of its past ... which belongs to humanity. Please make sure you are connected to the Internet and try again. The main reason he made the film was to prove that an epic film with a small budget, by global cinema standards, was feasible. [21], The fourth and final film to the autobiographical film is Alexandria ... New York (2004). One year later, with Nile Boy (1951) he was first invited to the Cannes Film Festival. The notes below were issued by Channel Four television before his death, to accompany a season of Arab films shown on British TV in the late 1980s. by Robin Yassin-Kassab and Leila Al-Shami, 2016. In June, Netflix is set to present four films by the late Egyptian film director Youssef Chahine. by James Dorsey  [7][8] At home, the Chahines spoke five languages, which was common in cosmopolitan Alexandria at the time. Chahine himself plays the central character, Kenaoui, a simple-minded man, beneficently employed as a newspaper-seller. One day … trigon-film is a non-profit film distributor from Switzerland that has been dedicated since 1986 to the selection of unique movies from Latin America, Asia, Africa and Eastern Europe, making them available in cinemas, on dvd and online, all the while supporting independent filmmakers. In this quartet, he explores his sexuality, personality, and family issues. If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. It was scripted by Naguib Mahfouz and the poet and progressive writer, Abderrahman Cherkaoui. The films are Siraa Fil … Scouting for film locations often brought back these memories. Although the outside threat originally seems to unite the villagers, divisions resurface, and one of them is bought off by the local bey, representative of the ruling class in general. Our editors will review what you’ve submitted and determine whether to revise the article. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. However it was not shown on Egyptian television for many years. This page was last edited on 31 August 2020, at 02:13. [14][failed verification], After returning from Pasadena, Chahine didn't work in Egyptian theater or film. His early films in Egypt included Raging Sky (1953), which begun while Farouk was still King and dealing with a peasant farmer's challenge to a feudal landlord. ", Set in Andalusia in the 12th century, "Destiny" is a historical drama about Ibn Rushd, a prominent Muslim thinker known for his debates with Muslim theologians and treatises on Aristotle. Chahine’s early films in Egypt included Raging Sky (1953), begun while Farouk was still King and dealing with a peasant farmer’s challenge to a feudal landlord. A complete list of his works [Internet Movie Database], Youssef Chahine: an appreciation   [20], This had been an intended project for some years and he was finally able to film it in 1994. He won the Silver Bear – Special Jury Priz at the 29th Berlin International Film Festival for Alexandria... Why? In 2002 he contributed the 11-minute “Egypt” segment of the multinational collaboration 11′09″01—September 11. | Memory is very important to Chahine's most recent work —whether of the "city of my childhood, Alexandria, between the two world wars tolerant, secular, open to Muslims, Christians and Jews" or of a more distant past: such as evoked in Adieu Bonaparte (1985), based on the cultural aspect of Bonaparte's expedition into Egypt (1798). In 1963 Chahine made Saladin (original title: El Nasser - defender/deliverer - Salah ed-Dine), an epic, three-hour film in CinemaScope named after the 12th Century Sultan who, as the film begins, is preparing to liberate Jerusalem from its Christian Crusader occupiers. I saved from allowances enough to buy the projector and then became a regular for the Rabbani Bibi films. From then on, he only produced color films.[23]. Chahine agreed and chose to adapt Albert Camus' Caligula. Youssef Chahine (born in Alexandria, Egypt, 1926) started studying in a friars' school, and then ... Born: January 25, 1926 Died: July 27, 2008 (age 82) Growing up, he attended Alexandria's elite Victoria College. Sparked controversy and censorship from the government- it examines Egypt's social and political issues. She is put on trial in a military court and they try to accidentally kill him, as they have disposed of many witnesses. May 10, 1915--d. June 23,…, Henri Antoine Barakat, Egyptian filmmaker who made 112 motion pictures during his 55-year career and was known for the "poetic realism" of his works (b. June 11, 1914--d. May 27,…. During this time, a producer turned to Chahine to finish a film after the director had left following a quarrel, but Chahine refused to complete someone else's work. According to Magda, the lead actress and producer of the film, Egypt had banned the screening in order to not harm political relations with France.[22]. Report of a three-day symposium in Egypt commemorating Chahine's life and work, by Rania Khallaf. The same year he started writing The Emigrant (1994), a story inspired by the Biblical characte… MusicMeter.nl | A parallel between Saladin and President Nasser, a champion of pan-Arabism, is easily drawn. • When asked about his childhood and early interest in cinema, Chahine said: "At the age of Eight, I discovered that 9.5mm films and projectors were being sold in stores. Sira’ fi-l-Wadi (Struggle in the Valley) introduced Omar Sharif to the cinematic screen. Chahine began his education at a Frères' school Collège Saint Marc. Over half a century, Egypt’s most acclaimed director tirelessly worked on innovative cinematic works. 27 July 2009", "Breaking News, UAE, GCC, Middle East, World News and Headlines – Emirates 24/7", "Harvard Film Archive: Youssef Chahine, the Cosmopolite of Egyptian Cinema", "Chahine, Youssef (1926–) – PERSONAL HISTORY, BIOGRAPHICAL HIGHLIGHTS, PERSONAL CHRONOLOGY:, INFLUENCES AND CONTRIBUTIONS, TRIUMPH AND NO ALIBIS, THE WORLD'S PERSPECTIVE – JRank Articles", "Al-Ahram Weekly | Culture | Youssef Chahine: A life in cinema", https://en.wikipedia.org/w/index.php?title=Youssef_Chahine&oldid=975904980, Articles with failed verification from May 2019, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License. Haddouta Masriya, released later in 1982, Chahine looks at his own journey as an auteur and a director. He was later able to get what he wanted, and enrolled in the Pasadena Playhouse in California- where he studied theater and television, but not film. Available from amazon.com or amazon.co.uk, The Bride of Amman  we must fight. As a result of a heart operation, he reviews his life: moments of Chahine's own films are replayed against their autobiographical and social historical context. This article was most recently revised and updated by, https://www.britannica.com/biography/Youssef-Chahine, Turner Classic Movies - Biography of Youssef Chahine. Youssef Chahine (Arabic: يوسف شاهين‎; 25 January 1926 – 27 July 2008) was an Egyptian[1] film director. Chahine would stay under his bed and in his room for hours, picturing himself in the industry- whether in a projection theater, a cinema hall or a production company.[10]. Madbouli feels sorry for the sad-looking, limping farmer Kenaoui and hires him as a flying newspaper salesman. "Out of this marvelous confrontation there was a rebirth of Egyptian consciousness, of its past ... which belongs to humanity. The old Madbouli is the owner of a kiosk at Cairo's main railway station. Chahine agreed and chose to adapt Albert Camus' Caligula. Much of his work, however, was critical of the Egyptian government and condemned social oppression and religious fanaticism; his willingness to tackle risky subjects caused some of his films to be censored, notably Al-Mohager (1994; The Emigrant), which was banned in Egypt after militant Islamists denounced it as blasphemous. His parents refused, and tried to talk him out of him. He dreamed of the cinema and theatre, watched Hollywood musicals, and in 1946 left to study drama in California. Eventually she is arrested and tortured in prison. Corrections? Updates? Memory is very important to Chahine’s most recent work —whether of the "city of my childhood, Alexandria, between the two world wars tolerant, secular, open to Muslims, Christians and Jews" or of a more distant past: such as evoked in Adieu Bonaparte (1985), based on the cultural aspect of Bonaparte’s expedition into Egypt (1798).

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