When the bluesy soul of her voice meets the aching trombone, it actually hurts in its perfection. Amy Smith, Every classy wedding needs at least one play of this dizzily romantic, heart-leaping soul banger by falsetto king Mr Jackie Wilson. Rarely did Sly Stone's great psychedelic project do anything you could exactly classify as. Why do old people love classic rock so much? Amy Smith, As well as boasting the best intro to any song ever, this classic unleashes the honeyed falsetto tones of Eddie Kendricks, jockeyed along by a fantastic shuffling beat and the greatest use of ‘fiddly dee, fiddly dum’ to date. Amy Smith, ‘It’s the B-side to MJ’s 1972 single “Got To Be There”. Written on scraps of paper and napkins while on tour, Redding sings about absolute loneliness against a gentle, slipping guitar. The soft, hazy harmonies combine with heartfelt lyrics so utterly devoid of artifice or florid touches that they could melt already-melted ice cream. From the opening trickle of piano, you know this will be a heartbreaker. He comes up just short of a marathon here, but this Motown 45 is still a PB for belting soul giant Edwin ‘War!’ Starr. Aged just 19 when she recorded it, Franklin doesn’t go for big flashy vocal trickery here. Sixteen. He’s met someone, he’s doolally for them and if they don’t want something more than to hit and quit it, he’d rather cut them loose. The fact it was released posthumously after Redding died in a plane crash makes it all the more bittersweet. Janis Joplin and Dusty Springfield later cut very impressive cover versions, but the original remains definitive. Amy Smith, Rarely did Sly Stone's great psychedelic project do anything you could exactly classify as straight. Amy Smith. Everyone knows the late Luther Vandross had the sort of voice that could save marriages, make a baby or win back an ex. He then recorded it in 1980 for his ‘Hotter Than July’ album, bringing beautifully hazy synths, scorching vocals and the magic of a twinkling vibraphone. Not sure what to cue up on your iPhone? But OV Wright’s version is the one that you need in your relationship. It’s hard not to imagine Sam Moore and Dave Prater dancing when they recorded this. Erma – older sister of Aretha – Franklin was the first singer to record this classic heartbreaker, back in 1967. And higher. But it’d be nothing without the sensual vocals – the whole thing sounds like it’s just you and Al, sitting in a room, looking into each other’s eyes and talking about the rest of your lives together. Written on scraps of paper and napkins while on tour, Redding sings about absolute loneliness against a gentle, slipping guitar. It’s got a ridiculously powerful bassline for a soul track!’ Chosen by hip hop maverick DJ Yoda. Nick Levine, Covered by everyone from Etta James to Usher and sampled on Wu Tang’s ‘America’. ‘Move on Up’ is one of those tracks that changes everything, for a few minutes at least: a paean to progress and positivity lyrically, a warm sunburst of brass, strings and percussion musically. Amy Smith. Déjà vu! © 2020 Time Out England Limited and affiliated companies owned by Time Out Group Plc. But OV Wright’s version is the one that you need in your relationship. ‘Soul music is about profound expression of human emotion, it’s about yearning, hope and transformation. It was originally intended for The Supremes but the brothers scored with this slice of pure Motown magic. It gradually builds until an almost impatient Redding is yelping, frantically tumbling over words – all in the name of being tender.

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